Movies: The Dark Knight Rises

…based on Bob Kane’s Batman, written by Christopher Nolan, Jonathan Nolan, and David Goyer, directed by Christopher Nolan, starring Christian Bale, Gary Oldman, Anne Hathaway, Joseph Gordon-Levitt, and Tom Hardy.

The Dark Knight Rises, the third installment of the Nolan brothers’ take on the Batman Mythos, has been criticized and praised alike with heavy-handed gusto by media and culture critics.  You’ll hear how it’s violent, bleak, self-indulgent.  It’s epic, intricate, spectacularly visual.  Dark Knight Rises is guilty of all.  The film also carries considerable baggage: the crazy expectations that seem to accompany any Chris Nolan project, the legacy of the last film, the Dark Knight, which receives too much credit for a number of reasons, not to mention carrying the standard for the entire DC Comics/Warner Brothers line.  A crushing weight, Man-of-Steel worthy.

And Batman and the Nolans are up for it.  This is an awesome film.  Awesome in its most literal sense.  DKR pushes the boundaries of super-hero/anti-hero narrative.  It engages in multi-layered, multi-generational story telling.  It takes this version of Batman – a contemporary characterization that still retains the essential elements – breaks him down, examines his ethos, and brings him back from the brink.  Visuals, performances, character arcs – its’ all there.  The movie is a cut or two above…

And DKR does not achieve this in a vacuum.  Nolan and company employ a secret weapon (that’s not so secret to comic book fans):  years and years of great Batman stories from DC Comics, including Knightfall, which introduced the Bane character, but most importantly the great Frank Miller treatise, The Dark Knight Returns.

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