…based on Marvel Comics characters created by Stan Lee and Jack Kirby, written by Zak Penn, directed by Joss Whedon, starring Robert Downey Jr. (Iron Man), Chris Evans (Captain America), Chris Hemsworth (Thor), Mark Ruffalo (Hulk), Scarlett Johannson (Black Widow), Jeremy Renner (Hawkeye), Tom Hiddleston (Loki), and Samuel L. Jackson (Nick Fury).
By now, after Hulk-smashing 1st and 2nd week box office records, nearly everyone who reads this blog has seen Marvel’s The Avengers. It’s the greatest team super-hero movie of all time. After the last few years’ series of Avengers solo movies, starting with Iron Man up to last summer’s Thor and Captain America, the geeks of the planet have had this date circled. We’ve watched the short Nick Fury cut-scenes at the end of the movies. We’ve debated on the internets. We’ve all hoped it could somehow live up to expectations, seeing Earth’s mightiest heroes together on the big screen.
And Joss Whedon’s super-powered popcorn epic hits the mark.
Yes, the first act is a little slow and awkward at points, introducing the characters with their back stories from the other movies, while setting up Loki and his quest for the Cosmic Cube (the Tesseract in the movie, don’t know why they had to call it that). No, Black Widow doesn’t really belong on the team, and the Agent Coulson-uniting-the-team card is one Whedon has used over and over again. Yes, the Chitauri alien villains were pretty generic and definitely had some storm trooper factor. However…
Whedon has been lobbying to do super hero movies for years. At one point he was linked with an attempt to bring back Wonder Woman and he recently helped the Marvel Comic Astonishing X-Men refocus on that team’s roots. Beemsville has been a fan of Whedon going back to Buffy the Vampire Slayer (still the superior teen-angst with monsters TV series), Angel, and Firefly. Other than the Firefly-spin-off movie, Serenity, a modest success, Whedon hasn’t directed a blockbuster type movie. Until now. He is, however, a lifelong comic fan; a guy who grew up with these characters, reading and re-reading their origins, marveling at the great cross-over four-color stories. He gets it – he understands the source material, the importance of certain interplays between characters and their symbolic moments. Contrast this movie to something like Batman and Robin – another big-budget ensemble with a director, Joel Schumacher, who certainly did not get it, and you gain even better appreciation. Continue reading